A bit of a scoop for this blog entry. I recently interviewed Adam Smith and Marcus Lyall, the duo behind the Chemical Brothers’ live visual sets which blew away Glastonbury and the Big Chill this summer.
When speaking to long-term Chems visuals collaborator, Adam, (who is also known as Flat Nose George and also directs Doctor Who), told me about a fantastic-sounding film project he’s currently working on with the ‘Brothers, Tom Rowlands and Ed Simons.
“Something we’ve been talking for years, long before they did Hanna, is I’ve got a film called Dope Girls which is all set in the twenties and I’ve got in development with Film 4,” he said. “I’m going to get them to do the soundtrack and record it in the way they record it but then we’re going to get a jazz band in and transpose it all to that. So you’ll have like a ‘Chemical Beats’-type tune done in a 1920s jazz style, so it’ll feel contemporary yet it’ll feel right for the time. It won’t stick out like when people do Marie Antoinette. When people put modern music on period stuff it’s sometimes a bit funny. It’ll be right yet it’ll be like, ‘Whoa,’ because it’s a very hedonistic scene. This film is all about the nightclub scene in the twenties. So they’ll be putting some music together to my pictures for that.”
So, if you find yourself flapping to the Chemical Brothers in the near future, remember you heard it here first!
In other Chemical Brothers-related news, Adam and Marcus revealed the idea they had when working on the 'Further' album of getting Tom and Ed to create music to their visuals; the complete inverse of the usual process.
Adam: “The first idea that Tom had for ‘Further’ was to give him visuals and he was going to make music to that but that didn’t happen in the end. It was something we talked about when they were making that album. It was like, ‘Why don’t you go and make some stuff and I’ll make some music.’ But it didn’t happen. It was a nice idea.”
Marcus: “I think it’s going to start happening, maybe with them, maybe with someone else; that whole idea that it’s not just an accompaniment [to the music] but the two things are absolutely interlinked.”
NOTE: I own the copyright to all of the above quotations, which were related to me directly during interviews. You must therefore request permission if you wish to use any of the above text or quotations. Contact: ian[at]ianroullier[dot]com
Originally posted on http://blog.ianroullier.com on 19 August 2011.